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Everything about Soderbergh’s approach, from the energy to the music (a mix of hot-today dance songs and such beefcake standards as “It’s Raining Men”) to the nonjudgmental tone,Cheap Washington Wizards Jersey, seems to be onboard with stripping — everything except Adam’s overprotective older sister, Brooke (Cody Horn, fully committing to the character’s single disapproving-frown expression). Of all the dark, complicated paths the story might have gone down, “China Heavyweight” contents itself as a relatively superficial different-classes love story, in which Mike must prove himself responsible enough in Brooke’s eyes to overcome the pimplike way he recruited her brother, ultimately giving Tatum a chance to bellow, “I’m not my lifestyle!” like some kind of dime-store Stanley Kowalski.
That’s not to say Tatum isn’t actor enough to handle the assignment. In addition to the role’s physical demands, he has the added challenge of making it look effortless, and Tatum’s gift comes in playing things casual, inhabiting the character without having to spell out an elaborate backstory. Of the other strippers, McConaughey steals the spotlight, adding yet another strong characterization to a respect-building streak that began with “The Lincoln Lawyer” last year. Meanwhile, a certain dopeyness serves Adam well, and Pettyfer proves an excellent case of a director using his star’s limited acting abilities to the film’s advantage.
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Soderbergh is in excellent form here, putting aside the ambitious experimentation that threw a wet blanket on such ostensibly sexy projects as “Full Frontal” and “The Girlfriend Experience,” while re-embracing the professional lighting and Steadicam shooting techniques missing from “Contagion” and “Haywire.” (Once again, he serves as his own d.p., under the pseudonym Peter Andrews.) Tatum reportedly first approached Nicolas Winding Refn about making “China Heavyweight,” but here he has the benefit of not only Soderbergh’s commercial savvy, but also the good-humored generosity and keen anthropological interest the helmer brings to every project. No moment captures that sensibility better than an oblique glimpse of backstage “fluffing” sure to rank among the year’s most amusing shots. 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